Vertical Lines in wide views
Extreme wide angle views of locations shot with a fish-eye lens need not always look too distorted to represent interiors, and can retain straight vertical lines....
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14
September
09
September
Lighting survey
Keith Cooper
| Colour management, Hotels and Venues, image processing, Industry, Interiors, Lighting, Offices, Projects
A large conference centre is lit with computer controlled LED lighting. Showing this and getting colours correct requires some technical expertise. Checking illumination coverage and intensity...
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05
September
Survey gear
Keith Cooper
| Cityscapes, Construction, Heritage, High resolution photography, image stitching, Rectification, Surveying
Making use of a heavy duty survey tripod and an optional total station enables accurate measurement from high resolution images....
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17
August
John Lewis at Night
Keith Cooper
| Cityscapes, Leicester, Lighting, Night photography, Offices, Projects, Retail, Shift lens
Part of a commission for a series of large prints showing aspects of Leicester city centre at night. A relatively constrained location requires special lenses with shift functions....
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08
August
Ceilings – circular views
The fish-eye lens is often dismissed as a bit of a one-trick pony. It’s associated with oddly distorted views, and effects often politely referred to as ‘artistic’. In reality, the circular fisheye view, (which is all I’m looking at here) is a perfectly valid projection...
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